Pulitzer Prize-winning writer and director David Mamet has, in his own words, gone from a Hollywood veteran to “the hermit of Santa Monica”. Celebrated for his plays American Buffalo, Glengarry Glen Ross, and Speed-the-Plow, Mamet has dedicated his formidable energy to the culture war raging in La La Land.
To mark the release of his memoir, Everywhere an Oink Oink, Florence Read spoke to Mamet about the death of storytelling, antisemitism in America and his zeal for Donald Trump. Here is a selection of his comments.
ON THEATRE:
In addition to having a Director, they have a Managing Director, and the Director is now called the Artistic Director. What was he before, if it wasn’t artistic? […] The theatre is not only dead, it stinks. […] It’s “culture”, right? Nobody likes culture. It’s nonsense. Now we have political commissars who say, in addition to the Artistic Director, in addition to the Managing Director, we have to have a Director of Diversity, who’s on top of everything. And we’re all going to pay attention to this person who tells us, you don’t have enough black women in the play, or you don’t have enough trans people. Whether you’re black, or trans, or gay, you have the right to hear a story. If somebody’s not telling you a story, then that theatre stinks.
ON AUDIENCES:
Broadway had a huge audience that was largely middle class and Jewish. And they were people who worked and lived in the city. So the only plays that were put on were those that reflected their experience. They only endorsed the plays that reflected their experience. But all those people have moved away. There is no more audience in New York. So who comes? People from out of town. So the two things that they can see are either trash or filth. They can see pageants. I don’t want to go to Disneyland to see a thoughtful roller coaster. Right? I want to go to Disneyland for a thrill. So New York is now Disneyland. I don’t want to see a play which is thought provoking. What the hell do I care? I want to have either a thrill or a dog-treat. And the dog-treat is diversity. Please, tell me I’m not a racist. I’m not a transphobe. These people are shaking the audience down.
ON CRITICS:
Critics have always been a bunch of brainless whores.
The national press is completely co-opted — it’s Pravda. It’s absolutely Pravda. No one’s going to put on a play that’s not going to be approved by the press. And the press is there to approve the play. Right? What they’re doing is the equivalent of the Stalinist plays “Me and My Tractor”. One doesn’t have to worry about criticism, because nobody is going to put on a play which is not going to get a good review. And so what happens is the people on the Left enjoy having differences about minor points of doctrine. Because that makes them feel that they’re intellectually independent.
ON POLITICS:
In America, there’s no such thing as an independent voter. An independent voter is a liberal speech defect.
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