In the first days of 2014, the then-education secretary, Michael Gove, addressed the forthcoming centenary of the First World War. “It’s important that we don’t succumb to some of the myths which have grown up about the conflict in the last 70 or so years,” he urged, before citing, as an example, the television series Blackadder. For a sitcom that had ended a quarter of a century earlier, an attack by such a senior politician was quite the tribute. More than that, it was an admission that the Right was losing the culture war over history.
The Black Adder, as it was originally titled, is 40 years old this week, first airing on 15 June 1983. After a shaky start, it would run for four series, though in its day it was never as popular as the other great historical comedy of the decade, ’Allo ’Allo. But its 24 episodes, spread across four time periods, have secured a cherished place in the British TV pantheon: second greatest sitcom ever, according to a 2004 BBC poll of the public; 16th greatest programme ever made, according to the British Film Institute in 2000.
At the time, it wasn’t considered to be as controversial as Gove suggests, overshadowed by far noisier arguments about Britain’s history. A few months before Blackadder was first broadcast, it had been suggested to Margaret Thatcher that what she believed in were essentially “Victorian values” — and she leapt at the phrase with great enthusiasm. When she was asked to identify which bits of the 19th century she particularly approved of, she ran through the standard list — thrift, charity, personal responsibility — and added “the British Empire that took both freedom and the rule of law to countries that would never have known it otherwise”.
Her words were carefully chosen at a time when the public interpretation of the Empire was a contentious issue. It was an era of TV dramas such as The Jewel in the Crown and The Far Pavilions, of films Heat and Dust, A Passage to India and, biggest of all, Richard Attenborough’s Gandhi. When it won eight Oscars in 1983, an editorial in the Daily Mirror celebrated the man who “took on the mighty British Empire at the peak of its power and defeated it”. It was, it said, a film that had been made by a “new Britain” that Thatcher didn’t understand, one in which Gandhi was a hero and which “matched the mood of the moment, especially among the young”. (Though Attenborough also claimed that, were he still alive, Gandhi would have voted for the SDP.)
The other reason Blackadder wasn’t seen as controversial was simply that it was a comedy. When the BBC broadcast Alan Bleasdale’s First World War drama The Monocled Mutineer in 1986, its treatment of an Army deserter was met with a barrage of complaints; it was “blatant Left-wing bias”, complained Tory MP Neil Hamilton. Blackadder Goes Forth — the series to which Gove was to take belated exception — attracted no such condemnation in 1989, despite its depiction of the conflict as a futile, idiotic exercise in slaughter. Comedies weren’t taken seriously.
But even as the Right was winning the economic battles in the mid-Eighties, some were beginning to worry that it was losing on the cultural front. John O’Sullivan, later an advisor and speechwriter for Thatcher, wrote of how popular culture had been “invaded” by moral equivalence, undermining the West’s authority in the Cold War. It still wasn’t comedy that concerned him — more the replacement of John Buchan by John Le Carré as the country’s favourite thriller writer — but he was sure that there was a concern here: “This invasion may be more significant than at first appears. Popular culture, after all, is one important way in which national myths and loyalties are transmitted.”
And those myths were important in shaping national identity. The counter-balance was to be found in education, in the teaching of history, where the focus should be on social cohesion and unity. And if the “national myths” that were taught turned out to be not exactly the truth, the whole truth and nothing but the truth, then that could be dealt with later on. “We must learn loyalty before we learn scepticism,” O’Sullivan wrote.
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