Right now, the discourse is centred on “cancel culture”. It was not cancellation but closure that defined our social-political scene, and that now characterises the culture at large — the ideas left unexplored, the varied uses of the English language reduced to greyscale, and, in the end, the elimination of joy, curiosity and wonder from our lives. (This closure plays out just as surely among liberal and Right-wing culture warriors, who are reduced to dull defences of free speech. This essay, in its own way, contributes to that closure too. Life is good and there is so much more we could talk about!)
Few have described this process as well as Philip Roth in American Pastoral. The lifelessness of it all and the impossibility of any lightness or dialogue, as he put it: “The monotonous chant of the indoctrinated, ideologically armored from head to foot — the monotonous, spellbound chant of those whose turbulence can be caged only within the suffocating straitjacket of the most supercoherent of dreams. What was missing from her unstuttered words was not the sanctity of life — missing was the sound of life.”
Roth wrote of the manipulative potential of compassion, the only recognised virtue: “There may not be much subtlety in it, she may not yet be its best spokesman, but there is some thought behind it, there’s certainly a lot of emotion behind it, there’s a lot of compassion behind it…” On top of this there was the moral certainty that erases any concern about means. “Rita was no longer an ordinary wavering mortal, let alone a novice in life, but a creature in clandestine harmony with the brutal way of the world, entitled, in the name of historical justice, to be just as sinister as the capitalist oppressor Swede Levov.”
Unhappiness brings with it power over others. Where compassion is the highest virtue, this power is almost limitless. Misery also provides the motive to wield this power, and mental blindness to one’s own culpability in its exercise. The principal protagonists of this scene nestled into their unhappiness and woke politics was the form of emotional manipulation its outward expression took. Its obscure language games were about codifying the rules of social engagement so that its anxious subjects could navigate social life as much as they were about prohibition.
Whenever a clip goes viral of a person, clearly in some mental distress, repeating the usual platitudes, it is impossible not to see the anxieties of life under late modernity writ large. They are there in the voice, constantly on the point of breaking, in the incredulous, widening eyes, and in the earnestly furrowed brow. It is a recognisable form of distress, but not one found among those at the sharp end of genuine political tyranny or destitution. It is hard not to conclude that a whole generation has been terribly misled about how best to pursue a life of meaning and resilience.
Social theorist Mark Fisher described from first-hand experience the manipulation of this scene as a Vampire Castle which “feeds on the energy and anxieties and vulnerabilities of young students, but most of all it lives by converting the suffering of particular groups — the more marginal, the better — into academic capital. The most lauded figures in the Vampire Castle are those who have spotted a new market in suffering — those who can find a group more oppressed and subjugated than any previously exploited will find themselves promoted through the ranks very quickly.” The Vampire Castle recruits on the promise of community and self-healing. The reality is an ouroboros of emotional manipulation, stripped of the political and of all that makes life interesting and worthwhile.
So when Black Lives Matter adopts the same therapeutic language in their description of their praxis — “we recommit to healing ourselves and each other… we intentionally build and nurture a beloved community that is bonded together through a beautiful struggle that is restorative, not depletive… we practise empathy… we are self-reflexive… we support each other as extended families and ‘villages’ that collectively care for one another” — it makes my skin crawl. I dread the thought of anyone that I love getting sucked into this false community.
Undergraduate wastefulness, self-absorption and misery are nothing new, but the form they took presaged what was to come. In another age, we would have been conservatives — frightened of the outside world, haunted by anxiety and guilt, unafraid to speak or think freely. But instead, the politics of my old friends set the national agenda.
We would have laughed at the idea we formed an elite and we certainly didn’t act like one. But we were the vanguard for a movement that has swept the English-speaking world in the subsequent decade. We still professed to be fighting the old powers — patriarchy, white supremacism, the nuclear family, colonialism, the university itself. But in truth we represented what Christopher Lasch called psychological man, “the final product of bourgeois individualism,” and were being trained in elite formation for the therapeutic age just as surely as our forerunners had been for the previous, paternal age.
In the past two months, this new elite has discovered its collective strength. The cultural politics of the emerging professional managerial class have joined with the rage of those with first-hand experience of police oppression. The anxieties of the milieu I left have found in white guilt a steady resting place. The emotional manipulation developed in elite institutions has developed a motte-and-bailey style of argument (superbly analysed by Jacob Siegel) which is impossible to push back against without seeming callous. And every institution, public or private, has simply buckled.
Towards the end of American Pastoral, the protagonist Swede Levov — poor Swede Levov — wonders whether he tried to be too understanding of his daughter’s descent into the furthest reaches of the political fanaticism of the late 1960s: “Perhaps the mistake was to take seriously what was in no way serious.” He gave an inch to the madness of his daughter’s utopian ideology and she took a mile, blowing up a suburban post office and killing two people. Yet this doctrine has graduated out of the elite universities where it first festered and is rewriting our institutions and our history. It must be taken seriously.
Last year I argued in American Affairs that the way through the culture war was a radical economic settlement that gave people security and order; socialist means to achieve conservative ends. This now looks naïve. The material genesis of the radical cultural politics that has shown its strength in the last few months lies in the overexpansion of higher education, which produced a new middle class that is materially discontented and uncomfortable in its own skin. The globalisation of American pathologies has given this new urban class, present across the Western world, a politics that is carving through our institutions.
Providing decent work and the possibility of home ownership in big cities, therefore, combined with the longer term goal of overhauling higher education, seemed the best strategy for overcoming the listlessness of an elite fraction disenfranchised from a world that failed to live up to its promise. Perhaps it still is. But the embrace of this movement by the rich, and the profound philosophical break it represents with the old order, suggests it has a logic and a momentum of its own and its potential is without limit. It is a politics of negation and renunciation and there is no end-point. There is always more work to be done.
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